Wood selection guide
Questions while selecting wood
The agony of choice! Do I select by reason of tonal or visual aspects?
Rest assured: It is ok either way!
One does not need to be embarrassed about choosing a wood type simply because of its beautiful grain or color. Appearance is a most important element – the guitar must have visual appeal! Not least because this will tempt you to reach for it often. But appearance is a very subjective matter; everyone has their own individual preferences. For this reason we will not go into the issue of visual wood characteristics for now.
With the selection of woods for a custom shop guitar, however, there are tonal qualities by which one might 'compose' an instrument and influence its ultimate voice. We would like to assist in this regard.
Our comments relate primarily to the woods to be used for back, sides and soundboard (top). We will also demonstrate the woods which can be used for decorative elements but their influence on tone will be negligible.
Should you have queries relating to the tonal aspects of the body shapes, please see the section "Selection by Body Shape" in the Guitar Overview.
Table d'harmonie
Acajou
Acajou Pommele
Cèdre AAA
Cèdre AAAA
Epciéa chenillé AAA
Epciéa chenillé AAAA
Epicéa d'Adirondack AAAA
Epicéa européen AAA
Epicéa européen AAAA
Epicéa européen, 50 ans d'âge
Epicéa sitka AAAA
Epicéa torréfié européen AAA
Koa AAAA
Fond et éclisses
Acajou
Acajou Pommele
Ovangkol
Erable modeste
Noyer, Europeen
Noyer californien
Noyer noir
Elm
Palissandre indien AA
Palissandre indien AAA
Padouk
Chêne
Cyprès
Padouk bicolore
Cerisier
Chakté Viga
Bocote
Palissandre Honduras
Granadillo
Ziricote
Ebène Macassar
Erable ondé
Myrte
Cocobolo
Blackwood
Koa
Autres essences de bois et matériaux pour les filets et les éléments décoratifs
Acajou
Amourette
Chêne fumé
Erable
Eucalyptus fumé
Filets en plastique, blancs
Filets en plastique, tortoise
If
Koa
Muninga
Palissandre indien
Poirier
Prune
Touche
Cocobolo
Ebène
Euphoria
Noyer
Padouk
Palissandre indien
Prune
Ziricote